I am a graphic designer. I have developed my career between Spain and Chile and recently settled in the south of France. I learned the craft in Madrid, at the studio of Manuel Estrada (National Design Award 2017), who taught me the value of simplicity in graphic language.<\/p>\n\n\n\n
I am interested in the synthetic power of stripped-down objects, and in the process of searching for them, intervening in them, and photographing them. I admire the work of Daniel Gil and the more than 3,000 book covers he created for Alianza Editorial; Alexander Rodchenko and Russian Constructivism; the clarity and functionality of the Bauhaus; and the stark elegance of the Polish poster artists of the mid-20th century. I am also drawn to the astonishing narrative power of Saul Bass\u2019s film title sequences, the coherence between form and content in Paul Rand\u2019s work, and the lyrical irony of Chema Madoz. I like to believe that all of them have influenced me.<\/p>\n\n\n\n
I enjoy working in the field of culture and the arts: book covers, art catalogues, theatre and film posters, museum communication, and motion graphics for the audiovisual world. I seek to create images that engage in dialogue with the viewer, that suggest more than they say, and that open the door to a work, a story, or the next conversation. I prefer design that does not shout.<\/p>\n\n\n\n
I have been fortunate to work for the following institutions:<\/p>\n\n\n\n
Spain:<\/strong> Chile:<\/strong> International \/ Binational:<\/strong> I am a graphic designer. I have developed my career between Spain and Chile and recently settled in the south of France. I learned the craft in Madrid, at the studio of Manuel Estrada (National Design Award 2017), who taught me the value of simplicity in graphic language. I am interested in the synthetic power […]<\/p>\n","protected":false},"author":1,"featured_media":355,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-275","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n
Manuel Estrada Design, El Pa\u00eds newspaper, Punto de Lectura Publishing, Anaya Publishing, Alfaguara Publishing, Club Editor, Instituto Cervantes<\/p>\n\n\n\n
LOM Ediciones, RIL Editores, Ministry of Housing and Urban Planning, Ministry of Cultures, Arts, and Heritage, University of Chile, UNIACC University, College of Engineers of Chile, Teatro a Mil Foundation, SERNAM<\/strong> (National Women\u2019s Service), National Library of Chile, DIBAM<\/strong> (National Directorate of Libraries, Archives and Museums), National Museum of Fine Arts, Museum of Contemporary Art, GNL Quintero, Las Condes Cultural Center, Matucana 100 Cultural Center, FIFV<\/strong> (International Photography Festival of Valpara\u00edso)<\/p>\n\n\n\n
French Institute in Chile<\/strong> (Chile\/France), Goethe-Institut in Santiago de Chile<\/strong> (Chile\/Germany), ECLAC<\/strong> (Economic Commission for Latin America and the Caribbean), UN<\/strong> (United Nations), Spanish Cultural Center of Santiago \/ AECID<\/strong> (Spanish Agency for International Development Cooperation, Spain\/Chile), Austin Film Festival (USA), Miguel Bregante (Chile\/USA), Columbia University School of the Arts (USA)<\/p>\n","protected":false},"excerpt":{"rendered":"